CHRISTINA MAZZA - ARTIST
"Sweet Gathering" "Shredded" - Mural Installation "Transformed" - Mural Installation "Gathering" "Construction" "Contained Spaces: Knotted" "Contained Spaces: Marianna" "Contained Spaces: Chained" "Contained Spaces: Vincent" "Contained Spaces: Wired" "Contained Spaces: Natasha" "Contained Spaces: Shredded" Labor: Dollar Store Scrub Balls Labor: Baker's Parchment Labor: Grade School Mop Cigarette Butts Take Me As I Am: Ear Forsaken Articles: Earth II Forsaken Articles: Sea Grass V Take Me As I Am: Eye Forsaken Articles: Sea Grass II Forsaken Articles: Human I Sea Urchin Forsaken Articles: Earth I Forsaken Articles: Human III Forsaken Articles: Human II Take Me As I Am: Octopus Forsaken Articles: Sea Grass IV Forsaken Articles: Sea Grass III Take Me As I Am: Tobacco Forsaken Articles: Sea Grass I
HOT NEWS!!!

- SOLO SHOW
Opening in March/2011
Large Installations, Drawings on
Reclaimed Material & New Video
Work. More details to come . . .

- RECOLOGY'S 20th Anniversary Show
Now on view thru September 25th
in the Historic SF Chronicle Building.
My work is also featured in Recology's
new book: ART AT THE DUMP

- MY BLOG:
Check out images from my recent
group show at SOMArts for the APICC

- READ an article about my work
in ASTERISK - San Francisco Magazine

- WATCH MY VIDEO now on YouTube
to see what Recology's Residency
Program is all about

- VIEW MY DRAWINGS & PRINTS
at JACK FISCHER GALLERY
49 Geary, San Francisco

- Currently at the DRAWING CENTER's
VIEWING PROGRAM in NYC


ARTIST STATEMENT:

My own life's story compels me to find value in everyday, discarded objects. These items may be discarded by humans or by nature. I intuitively respond to the line, texture and composition of each object and disregard it's purpose or function. Once pulled out of context and presented alone, the object emits qualities of fragility, vulnerability and individual beauty. Every item I've drawn is meant to be closely examined. In doing so, the discarded object is acknowledged by the viewer and therefore redeemed.

In creating my drawings, I often use a pencil or ballpoint pen. These are the most humble and basic of implements. Using these common tools, I create sensitive, exquisitely detailed and somewhat abstracted narrative works that are often drawn on discarded surfaces. Not only does this body of work cause us to look at the environment around us differently, but it also causes us to reflect on the residue of our lives and of our own and ever-changing sociological and ecological footprint.

- Christina Mazza